Showing posts with label Racism. Show all posts
Showing posts with label Racism. Show all posts

Monday, 17 February 2014

The Internet Void versus The Infinity of Fools

With apologies to passive-aggressive Facebook posters (you know who you are).

The Internet Void versus The Infinity of Fools

“He who fights too long against dragons becomes a dragon himself; and if you gaze too long into the abyss, the abyss will gaze into you.”
                                                Friedrich Nietzsche, Beyond Good and Evil

There was a time when I believed that the internet would set us free as a species. That so much virtual space would open up the borders to infinity and we would never have to deal with anyone we didn’t like ever again. Yet you only have to take a cursory glance at the comments section under any YouTube clip or newspaper article to realise that people seek out conflict on the virtual plain more now than ever before.

I think that ‘internet troll’ is far too polite a term for people who attack others online. Troglodyte is more apt. Trolls merely live under the bridges of the information superhighway, but troglodytes live in darkened caves beneath its surface, blind to all but their own non-thoughts and nonsense, only poking their heads out into the daylight to vomit up some piece of bile onto Twitter or an article on climate change.

Most of the kind of nonsense that happens on the internet these days is borne out of personal cowardice and fear. The internet offers anonymity, as well as an uncensored, unfiltered funnel down which to pour our own self-hatred. Hatred is really just another name for fear, redirected and amplified away from self.

In my experience, people judge others by their own standards and most manifestations and excuses for prejudice can ultimately be traced back to negative self-image. Men who are homophobic are either afraid of confronting doubts about their own sexuality or else they are scared that gay men will treat them in the kind of inappropriate ways in which they act towards women. People who hate a particular religion or race because they think they are sneaky or dishonest are themselves not to be trusted. People who accuse other people of smelling bad are usually the ones with the questionable personal hygiene habits. We each reflect in others what we find lacking in ourselves, in the same way that we seek out friends and partners who have the strengths and skills that we wish that we possessed.

I began this article by quoting my favourite aphorism in the whole of philosophy. The internet has become the void, the abyss. It is so big and so unwieldy, with so much that is horrific and vile just a few short keystrokes away, that it fills us with a kind of primal terror. Like staring into the night sky or snorkelling above the falling away of a continental shelf, the fear of the unknown terrifies us and sends us paddling back to shallower waters. Rather than stretch our horizons, we stick to familiar territory. The internet is an infinite expanse, yet most people obsessively circle around the same dozen websites time and time again.

Most of our fears about content in cyber space are really just reflections of the fears inside our own heads. Yet rather than immerse and marvel in the intensity of our own imaginations, we cower away from them and blame anyone but ourselves for the images, thoughts and ideas that run through our heads. We can, for instance, worry that our children are exposed to pornography online like never before. Yet children, certainly boys, have always been able to get hold of porn. It may be extreme, but by virtue of the fact of it being freely available, it becomes ultimately worthless. It’s very rare that I watch pornography, given how mind numbingly boring it is, mainly designed as far as I can see for men dishonest about their own sexual preferences to watch other men get sucked off while still kidding on that they’re 100% straight (just be honest and free yourself). Yet the most graphic pornography I’ve ever been exposed to was German and seen when I was eleven at scout camp, from the personal collection of the dad of the kid passing it around the tent. His dad was Akela, the head of the Scout Group. It’s easy to fall into the trap that the internet is making the world a worse place for children to grow up in, but the truth of the matter is that things are at worst just as bad as they always were. Yet by blaming new media it becomes so much easier to abnegate ourselves of the responsibility of honestly educating our children. Pornography isn’t the problem. The problem is the attitude of society towards women that makes their mistreatment a viable voyeuristic activity.

What the internet is doing is making us more claustrophobic. In captive chimp colonies when numbers become too high or not enough personal space is allowed, individual members will eventually turn on one other. We are becoming an infinite number of monkeys shoehorned into a finite cage. There was a time when any person could hold a particular view about the origins of the universe, even if that view was enforced by church and state, and they could remain blissfully unaware that anyone could hold a contrary view. These days, you can express an opinion online on anything from evolution to England’s starting eleven and be told you’re not only wrong but also a cunt by ten thousand random idiots in a micro second. Is it any wonder if we become claustrophobic? Is it any wonder if personal responsibility starts to dissolve when an inner monologue and self-checking is lost to the hive mind?

Look at any newspaper website comments section and you can see that the majority of comments are posted by people who don’t even read that paper or subscribe to its values. Guardianistas attack Mailites, Sun ‘readers’ (<even I’m doing it) post on The Daily Mirror. Rather than exploring the untouched plains of the internet, we seek out people we hate, like we’d rather be with someone we hate, just so we don’t have to face life alone. We have to have someone to push against, be in dynamic opposition against. Not much point being a racist if you don’t seek out Muslims to shout ‘Paki’ at. Not much point hating women and blaming them for your own inadequacies if you don’t make cowardly rape threats from behind the safety of a plastic screen. How brave of you. Well done you (sarcasm emoticon).

The internet makes idiots of us all and somehow reduces us to the belief that anything that we have to say is of equal value and deserves to be shared with the whole of humanity. Again, check the comments on YouTube or any article touting the 10 Greatest Albums/Films/Garden Hoes of All Time to witness an abject lesson in banality. “I don’t agree with your choice. I think The Godfather should be no 1 and The Godfather 2 no.” or “Typical left wing, bleeding heart liberal press.” quickly descending into comments about 9/11 being an inside job or Americans ranting at British people about how we’d all be speaking German if not for them, like they were personally at fucking Normandy on D-Day. We need to be saved from ourselves. Who cares what you think? If you’ve got something to say, start a blog to ring fence your opinions and save us from your non-thoughts. Or take a course in journalism so at least you’ll have an editor to reign in your exuberant hatefulness.

Mind you, the internet renders even traditional forms of journalism meaningless. Most newspapers these days are more full of editorials and personal opinion pieces than anything like actual news and much of it is as badly thought out and written as your average Facebook post (‘I am a beautiful flower and if you don’t appreciate that then the problem is with you not me, even though I’m the one posting this passively aggressively, clearly demonstrating in the process that I’m the one that needs to work on my self-image. How many likes for my maudlin post? I’m so alone.’).

Yet here’s the nub of the matter, folks. I still believe that the internet will eventually set us free. Or a version of it. We are only at the beginning of our journey into cyber space and this is a period of adjustment that we need to go through. After all, Dunbar’s Number is the number of relationships that the average person can comfortably maintain at any one time. Dunbar’s number has a value of 150. Just 150 friendships that we can maintain, which shows that despite living in towns and cities and supporting national sports teams, we are still essentially villagers who haven’t yet evolved to live like city dwellers. Like Dunbar’s Number, we haven’t evolved beyond basic expressions of intolerance and hatred. We can talk about national pride, but our brains aren’t sophisticated enough to think like members of multi-racial, multi-opinionated societies, comprising millions of individuals. We want everyone to think in the same way that we do in order to validate our belief systems.

I blame monotheism. The idea of one god was originally imposed upon western society in order to set in the public’s mind the idea of their being one ruling family, chosen by god to rule in perpetuity. Monotheism has infected us with a kind of monomania, where everyone must worship one god and be of one sexuality, one nationality and one personality.

What the internet has done is to confront us with how erroneous this mind-set is. In my personal fantasies, I believe that what we are going through at the moment is the first step towards the annihilation of nation states and the establishment of new countries dedicated to more useful criteria for patriotism, like knitting or Game of Thrones or Star Trek or Justin Bieber or Joyce or Dylan or Nina Simone or Creole cooking or football or golf or cricket or redheads etc. etc. Which must terrify the ruling elite, if they ever envisage such a situation. Western capitalism and hierarchical systems in general have always ruled by the principle of divide and conquer. Get us to hate the least powerful, immigrant workers, the unemployed, the disabled, etc., in order to focus our rage away from the real enemies of society (i.e., them). Yet if we were to once again form mini-societies based upon common ground then capitalism would eventually give way to collectivism. No mega-rich is the wealth is passed around between is us.


Eventually we will probably all retreat into a virtual environment anyway, where everyone’s tastes can be catered for, whether that’s enrolling in your very own version of Hogwarts or abusing virtual children. Unhealthy behaviour on both counts, but it will be our children who will have to discuss what’s acceptable behaviour when they get there. Eventually cyber space will cure even death and then, essentially, we will all remain children forever anyway. As we start to take our first steps into the tide pool, it seems that we are already learning how to remain childish.

(this article is open for comments, but I won't read them. It might be more productive to cut out the middle man and just smear shit on the wall).

Get it done.


Friday, 10 January 2014

Best Things Ever #3 Highway 61 Revisited

No preamble, no pissing about, Ladies and Gentlemen...

Best Things Ever

#3 Highway 61 Revisited

ruce Springsteen described first hearing the opening snare shot of ‘Like a Rolling Stone’ as sounding “like somebody had kicked open the door to your mind.” The first track on Bob Dylan’s 1965 album, ‘Highway 61 Revisited’, is certainly a powerful statement of intent. That opening salvo expands outwards, like the illuminated initial letter of a medieval manuscript, heralding the arrival of the soon to be sneered opening words, “Once upon a time...” Few other rock n’ roll albums begin so perfectly.

“Once upon a time...” let’s us know exactly where we are. This is myth making country, the land of fairy tales, reinvention and the American Dream. Here do we find jugglers, clowns and mysterious tramps. Napoleon is in rags and the Cheshire Cat has become Siamese. As abstract to the remainder of the album, ‘Like a Rolling Stone’ sets a chain of events in motion that spiral, snowball and roll all the way to the Desolation Row of its final track.

Movement plays a major role in the dynamic of ‘Highway 61 Revisited’. The real Highway 61 runs, or ran, from the Canadian border in the north to New Orleans in the south. Known as the ‘Blues Highway’, it was aptly named. Not only did Bessie Smith die in a car crash on a stretch of the road, but the intersection with Highway 49 is believed to be the mythical crossroads where Robert Johnson  made his legendary pact with the devil. Elvis grew up on a housing project not far away and it was in a motel off the Memphis leg where Martin Luther King Jnr was assassinated in 1968. 

Highway 61 also ran past Duluth and Hibbing, two nondescript towns in Minnesota. The former gave birth to Bob Dylan, the later served as his childhood home. To the young Dylan, Highway 61 must have seemed like an escape route, a road to freedom from small town America. In a country where the automobile is king, the highway is a powerful symbol of liberation. ‘Highway 61 Revisited‘ is an album about liberation, with parallels to both Woody Gutherie’s ‘Bound for Glory’ and Kerouac’s ‘On the Road’.
 
The twin themes of momentum and transience run through the lyrics like tarmac. The action is observed from both Buick 6 and mailtrain. Miss Lonely’s inertia transports her to the gutter like a rolling stone. The lyrics are peppered with sword swallowers, clowns, midgets and myriad circus freaks, the circus being the embodiment of nomadic transience. In the title track, there is but one response to any dilemma: head down to Highway 61. There everything is allowed. There the failures of the past are forgotten.

Much has been made of the comparison between the title track and Wilfred Owen’s, ‘The Parable of the Old Man and the Young’. In his poem, Owen gives a modern retelling of the story of Abraham’s sacrifice of his son to Jehovah. Yet unlike the biblical version, where Jehovah sends an angel to stay Abraham’s hand at the last possible moment, Owen’s version has a very different ending: 

But the old man would not so, but slew his son,
And half the seed of Europe, one by one.

‘The Parable of the Old Man and the Young’ is a denunciation of the killing fields of the First World War. The first verse of ‘Highway 61 Revisited’ follows a similar vein:

Oh God said to Abraham, "Kill me a son"
Abe says, "Man, you must be puttin' me on"
God say, "No." Abe say, "What?"
God say, "You can do what you want Abe, but
The next time you see me comin' you better run"
Well Abe says, "Where do you want this killin' done?"
God says, "Out on Highway 61."
 


On March 8th 1965, the United States deployed 3,500 troops to South Vietnam. By December that year, the number had increased to over 200,000. ‘Highway 61 Revisited’ was released on August 30th 1965 and resonates with references to war, past, present and future.

In the final verse of ‘Highway 61 Revisited’, we see the roving gambler trying to create the next world war and finding a promoter to help him. In a country where public opinion is everything, US politicians and the mainstream media have a history of carefully manipulating public perception to promote the benefits of war. Vietnam was the first television war and, contrary to the revisionism practiced by some historical commentators, the American media continued to support the war until it was obvious just how unpopular the conflict had become. Even today, Vietnam is denounced in many quarters not as an invasion that cost the lives of as many as four million Vietnamese, Cambodian and Laotians, where more tons of TNT was dropped than by all sides during World War Two, but as the country’s first defeat.

In ‘Tombstone Blues’, we hear of the king of the Philistines who, ‘fattens the slaves and sends them out to the jungle’. A disproportionate amount of African-Americans, descendants of the slaves, were sent to fight in the jungles of Vietnam. Highway 61 bisects the United States like the civil rights movement that was dividing the country at the tiime. The opening lines of ‘Desolation Row’, “They’re selling postcards of the hanging” recalls the sickening practice of photographing and selling souvenirs of the lynchings of black men, women and children, even in Dylan’s home town. African-Americans could be sent to die for their country, but not to expect anything to have changed when, if, they came home.

‘From A Buick 6’ reads like the tale of someone trying to dodge the draft. He’s being hidden by his girl (could be his ‘mamma’ but given Dylan’s repeated use of the word, seems more likely to refer to a girlfriend). If he should die, his simple request is that she should put a blanket on his bed (again, this could be his mother, repeating a ritual dating back to childhood):

Well, if I go down dyin’, you know she bound to put a blanket on my bed.

The word “bound” in the refrain has a double meaning, like ‘determined’ in Richard III’s, “determined to prove a villain.” The woman bound is obliged to put a blanket on his bed, but there is the doubt that she might forget. The jaunty, blues feel of ‘From A Buick 6’ detracts from the grim imagery. The idea of needing a shovel and a dump truck to deal with the dead puts one in mind of WWII and the extermination camps.

One can compare the whole of ‘Highway 61 Revisited’ to ‘Bob Dylan’s 115th Dream’, a track from the other album he released in ’65, ‘Bringing It All Back Home’. ‘Highway 61 Revisited’ is ‘Bob Dylan’s 115th Dream’ writ large. The walls between fantasy and reality, past, present and future break down. A cavalcade of characters, both real and fictional, swell the lyrics, a kingdom for a stage, with princes (and princesses) to act: Einstein and Galileo, Ma Rainey and Beethoven, Romeo and Ophelia, Paul Revere, Jack the Ripper, Abraham, Cain and Abel, The Phantom of the Opera, The Hunchback of Notre Dame, Ezra Pound and T. S. Eliot, Jack the Ripper, John the Baptist and F. Scott Fitzgerald (not to mention Woody Guthrie, Kerouac and Rimbaud, who haunt the album without ever receiving recognition). By comparison, Dylan’s next album, ‘Blonde on Blonde’, mentions only Shakespeare by name.

Then, ‘Highway 61 Revisited’ is a very different beast even to its immediate predecessor. There are no love songs of the kind to be found on ‘Bringing It All Back Home’. No ‘She Belongs to Me’ or ‘Love Minus Zero/No Limit’. ‘It Takes a Lot to Laugh, It Takes a Train to Cry’ comes closest, but even here our hero is on the run from love (“Don’t my gal look fine, when she’s comin’ after me?). The characters of ‘Highway 61 Revisited’ are all escaping from the past or find themselves in situations not of their own devising: Poverty, skid row, the cops, death, addiction and the draft.

As much transient movement as there is on the album, it is all ultimately futile. The action begins in New York City and it ends in New York City, via Highway 61 and Juarez in Mexico, to form a Dantean circle of hell. The rolling stone that began tumbling during the opening track by the end has come crashing down to Desolation Row. The same note of bitterness which opens proceedings, brings matters to a close:

“Don’t send me no more letters, no, not unless you mail them from Desolation Row.”

In the year of the album’s release, Dylan faced accusations that he had abandoned the protests songs of his folk era for the bright lights of mainstream electric guitar music. While it is true that ‘Highway 61 Revisited’ represents Dylan’s first wholly electric album (excluding the eleven minutes of ‘Desolation Row’), the irony is that the album is one of Dylan’s most politicised works. Sure, it doesn’t contain the sledgehammer subtlety of previous compositions like ‘Masters of War’, ‘With God on Our Side’ or ‘The Lonesome Death of Hattie Carroll’, but politics, gender and race abound on ‘Highway 61 Revisited’.

Dylan had matured as a song writer, become more nuanced, and the harsh black and white texturing of his folk songs just wasn’t going to cut it anymore. With an electric guitar in hand and a band to back him, Dylan broke forth into glorious Technicolor. ‘Highway 61 Revisited’ represents his most vivid composition.

Get it done.

See Also (click link)



Sunday, 24 October 2010

Modern Fable

"Have you not learned, my esteemed communicator,
 That the created is not the creator?"

                                             Arthur Conan Doyle, To An Undiscerning Critic           



Chapter One

There once was a town in the north of England. In days gone by it had been a giant of the Industrial Age: Now those dark, Satanic Mills were shrouded in dust. How dismal it was in the bleak mid-winter and no amount of gaudy lights or glass baubles on plastic trees could mask the pervading air of pessimism. It is here that our tale begins.

On this grey afternoon, a group of lads rode into town. They came with the flag of St George rippling in their wake. They parked, descended into the precinct and prepared themselves. Their self-appointed leader stepped forth to speak:

“We have come here today to issue this town with a warning. We are in danger; danger of losing our identity. There is a growing threat to our town, a dark cloud that looms over us, threatens to wash us away. It is threat of immigration. A threat that has been clear and present in our once proud nation from before I were born.”

“Both my grandfathers fought in the fields of France. Fought and died, I tell thee, that Europe could destroy fascism forever. And for what? How did our leaders reward us for defeating Hitler? Huh? They filled ships with foreign garbage and dumped it on our shores to stink up place. Britain has become a dumping ground for everyone else’s unwanted junk. Well I say enough is enough. Shut the borders and ship them out: All of them.”

“Now, a man will ask, ‘I was born in this country, but I’m Muslim, can’t I be both?’ And I'd ask him, then what cricket team do you support?” He smirked. “Obviously he would reply, ‘Pakistan’.” He emphasised the first syllable of the final word. “Then you are Pakistani. Go home, your country needs you. Mine does not. Go, worship your heathen god in your own land and I will do same in mine. This…” An oblong of Islamic green was held aloft. “This is his flag.” A white star and crescent at its centre, a white bar at its seam. “It is not my flag and it is not yours. I will not let it end up mine. If you feel the same as me, you must stand with us, arm in arm, shoulder to shoulder on cliffs and shores of this still proud nation and protect it from barbarian hordes.”

The others applauded their leader, bolstered by a single pair of hands from the crowd. Half a dozen people had stopped to listen. Most wandered off at the end, reluctantly accepting the leaflets that were foisted at them. Only one remained. Two women, previously unseen, approached the group. They stopped in front of the leader.

“Michael John Brown,” said one, “you ought to be ashamed of yourself.”

“Too right.” said the other. “That young Asian lad’s not two minutes out of hospital and here your lot are back on't streets preaching hate.”

“Ladies, ladies.” Mick replied, calmingly. “We ain’t preaching hate to no-one. We’re exercising our democratic rights. We’re standing up for our right to live in a white Britain. To not have it swamped with bogus asylum seekers who scrounge off social, then blow us up in return.”

“Oh yeah,” rejoined the former, “and what about young Rasif, eh? Who had he blown up?”

“Now Maggie, you know right well that case hasn't come to court yet and I’d be in contempt to talk of it. When it does, my lads will be acquitted.”

“Oh please,” Maggie said, “everyone in town knows you lot did it.”

“Aye,” said the other, “though I see you managed to get off scot free as usual. You always were good at letting others take blame for you. Like our Chris.”

“Your brother got expelled ‘cause he got caught. Had nowt to do with me. As for that Paki, he had it coming, whoever dealt with him.”

“What, because he stepped out with our Ashley? Where was t’arm in that?”

“Where’s t’arm? Where’s t’arm? What if they had a kid? We need to keep this country white, our blood’s already thin enough from all the fucking Jews we took in. No, whoever dealt with that little shit stinker deserves a medal. If that’s what it takes to stop us from turning into mongrels, like them, so be it.”

“Oh, now your true self comes out, Mick Brown.” The argument had attracted far more attention than the speech that caused it. “You say your stopping us from becoming mongrels, but your t'ones that roam about place like pack of dogs.” There were many nods and noises of general agreement. “Your mother would be ashamed to see what you’ve become.”

All pretence vanished. “Never, EVER insult my mother again.” Mick towered over the women. “If you do, I will make sure you regret it.” Unbowed, Maggie made some reply, but another of the gang was speaking at Mick’s ear and pointing to the far end of the precinct. Two policemen were striding towards them. “Mick, let’s get out ay here.”

“I don’t fear no pigs.” Mick sneered.

“Aye, me neither, but see us three, we’re on parole, Gaz here is on probation. You, ya jammy cunt, you can stay and stand up tae them if ya like, but we canny afford nae more trouble from police.” The last word sounded like, poll-eece, in his thick accent.

“Fine, go.” Mick commanded. “But I’ll not forget this.” The others pushed through the swelling crowd, using its mass to obscure them from their pursuers. Once clear, they jogged off. Mick turned to the crowd, raised a fist in the air and declared in a proud, clear voice, “No surrender to Paki-fucking-stan.” Then he ran.



Their captain may have missed a penalty, but the crowd of the George and Dragon were philosophical about the 0-0 draw. “I’d rather be a Paki than a Turk.” they sang. “I’d rather be a Paki than a Turk. I’d rather be a Paki than a Turk.” Someone started a chorus of Rule Britannia, the rest quickly joining in. “Britain never, never, never shall be slaves“

Centre stage, Mick’s gang occupied their usual table. A sheet of bronze coloured material overlaid the MDF. Pools of beer had formed between the bumps, the ashtray smoked from the continuous supply of half-finished cigarettes.

“Nice speech that today Ian. Nice and short.” Mick told him. “Might even use it at demo tomorrow.”

Ian drained his pint. “I still say you shouldn’t have changed it to, ‘before I were born’.”

“We’ve been over this Ian, it were too long.”

“What did it say before?” Frasier asked.

“It said,” Ian replied, proudly, “’before the men who stand before you here today were born’.”

“Like I said.” Mick replied, sternly. “Too long.”

“Aye, right enough.” agreed Frasier, “that’s tae long son. Don’t want tae confuse cunts with tae many words.”

“See.” Mick said. “Even the Jock agrees. No offence Frase.”

“None taken.”

“Yeah.” said Tom, the youngest of the gang. “Jock knows something about speeches, ‘e’s always making ‘em at work.”

Frasier stared daggers at Tom. “See if you call me Jock again son, I’ll fuckin’ do you so I will.” He hooked a thumb at Mick. “That cunt there is the only one who calls me Jock.”

“Aye, ‘cause I’m the only one that would last ten seconds against him. Shut the fuck up Tom. Our Frase may be a Jock, but at least he ain’t a cockney fairy like you. Happen that’s as bad as being a fucking Paki.” The northerners laughed at their southern cousin.

“Hey Frase,” asked Ian, “can we call you a Scot then?”

“Sure son. That’s what I am, a Scot and proud of it.”

“And yet these Pakis hate being called Pakis. I don’t get difference.”

“Who gives a fuck what Pakis think.” Mick bellowed. “They’re Pakis and they can fuckin’ well lump it.”

“Hey.” said Gaz, returning fully laden from the bar. “Check out guy at bar.” A man in corduroy jacket and spectacles sipped from a cognac glass.

“Don’t know him.” Mick said.

“Apparently, that’s Carl Miller.” Gaz informed them.

“Carl Miller’s an urban legend.” Ian replied.

“Nah, Harry swears down that’s Carl Miller.”

“Who’s Carl Miller?” Fraser asked.

“Carl Miller, so it goes, married a spook.” Mick replied. “African she was.”

“He was a teacher at the college.” Ian joined in. “She was one of his students, Nigerian I reckon.”

“Does it matter, Ian? They’re all the fuckin’ same, wherever they got hit with ugly stick. Anyway, turns out she were only after a green card. Soon as her papers came through, she fucked off with another coon. Had a boyfriend all along.” Mick swigged at his ale. “Well that’s what you get for trusting a fucking nigger. Carl Miller, eh. Excuse me lads, I gonna have a word with Mr Nigger-Lovin-Miller.”

Mick picked up his pint and slammed it down on the bar. “You’re Carl Miller.”

The other turned his head, looked Mick up and down, then faced forward. “I know.” he said.

“You married a nigger.”

“Well, I was married to a woman of African extraction, if that’s to whom you’re referring.”

“Well, I hope you’ve learned your lesson. Coons will fuck you over soon as look at you. Just like the fucking Jews.”

“Very enlightened I’m sure.”

Mick sneered, “You’d do well to mark me lad. They’re not like us.”

“I know.”

“They’re different.”

“Right.”

“Ya hear me.”

“Yeah, yeah, Black people are different to white people, I get it.”

“Right.”

“Same as Muslims aren't like Christians.”

“Yeah. Bunch of fucking extremists.”

“And the French aren't like the British.”

Dirty, soap dodging bastards.”

Nor are the Welsh like the English.”

“Sheep shaggers.”

Or southerners like northeners.”

“Bunch of queers.” Mick's voice directed back towards his table.

“Or Yorkshiremen like Lancastrians.”

“Don’t even get me started on them cunts.”

“Or City supporters like Rovers fans.”

“Blue scum.”

Carl's laugh was filled with scorn. “Mick, is it?”

“Aye.” Mick wasn’t laughing.

Carl narrowed his eyes, “So, if I understand you correctly, you hate anyone who doesn’t live like you do.”

“If they ain’t white, aye.”

“So long as they're not French.”

“White, British, smart arse.”

“Unless their Welsh or from the south or Yorkshire or support the wrong team or, presumably, are gay or drink the wrong beer or live in the wrong part of town, eh.”

“Oh you’re a real fucking smart arse, aren’t you!”

“I am. See, this is my theory.”

“I don’t care.”

“I wasn’t giving you the option. See I think you’re so ignorant, your incapable of accepting that there might be any other way to live life other than the one you’ve chosen. Which must confuse you, yeah. You’re infallible, why aren’t you much better off? Well it must be someone's fault, right. So you look out of your window and what do you see? Muslims and Jews and southerners and Goths and City supporters, all living an alternative lifestyle to your's. Well, if you ain't to blame, it must be their fault. If they lived according to your creed, or went back where they came from, you’d be ruler of the universe by now, wouldn't you.”

Mick stared through Carl. “I am going to make you regret every word out of your fucking mouth.”

“But isn’t that fascism? Make everyone dress like you, think like you, worship you, and eradicate anyone who deviates from the norm. Then, and only then, can you claim supremacy, while the world inexorably regresses.”

“Did you hear what I said?”

”Yeah, yeah, I hear you loud and clear. You don’t have a coherent counter argument so instead you resort to threats of physical violence.” Mick made to speak again, but Carl silenced him with a raised hand. “Please don't delude yourself into thinking that I'm the least bit afraid of you, Mick. I pity you. But perhaps you're right. Get rid of the Pakis. Get rid of the Niggers too. And get rid of the Yids and the Frogs and the Queers and the Poles and the Reds and the Blues and the Green Eyed and the Trannies and the people who live at No 73. But keep people like you. Come the apocalypse, we'll need someone to sweep up.” Carl drained his glass dry, while his opposite stood frozen with rage. “Anyway, must be going, I’ve obviously been here too long, I can feel my IQ starting to dip. Besides, having witnessed your sing-along-a-bigotry earlier, I'm a little concerned you're about to start throwing faeces at each other.” Mick's face was bright red, but still he didn’t move. “By the way,” Carl said, spinning back ‘round, “you might be interested to know that I married Mbelina to stop her being deported back to rape and torture. I married her to save her life. A friend did the same for her fiance.” He winked.  “See ya around.”

After a time Mick seemed to emerge, as if from a trance. He looked about, but Carl was long gone.

“So, did ya give that nigger lover what for?” Frasier asked, as Mick’s sat down.

“What? Oh, yeah, yeah.” Mick drained his glass. “Who’s ‘round is it?”

“Tom’s.”

“Right, Wendy, four pints of beer, as you’re still drinking that fizzy, queer shit.”

“Now look Mick, I don’t mind a joke, but don’t call me queer.”

Mick grabbed Tom by the jaw and pulled him close. “When you sup a man’s drink then I’ll call you a man. Until then, I’ll call you whatever the fuck I like and you’ll take it.” Mick released him. “Don’t make me add your name to the list of people who are gonna get my foot up their arse. Like those two witches, and Carl fucking Miller. Move it, bummer boy.” Tom sulked off to the bar. Four sets of bitter soaked lips laughed.

*

The ale flowed and time marched on. Last orders came and went. Ian was the first to leave. 'The Wife' texted him home. “Come in number four, your time is up.”

Aye, you’re just jealous. Night lads.” He wrapped himself in a German Army and jacket and slipped out the door to much laughter and pressing of thumbs to foreheads. And when, an hour later, the landlady insisted it was time for bed, there was much innuendo.

The gang bundled out into the winter chill and splintered into three. Mick went his own way, as did Gaz. Frazier and Tom staggered down the street together. For a time, neither man spoke, each lost in his own intoxicated thoughts, boots against pavement the only sound as long, rubbery strides brought them closer to home.

They came to an alleyway to piss. Frasier crashed his hand against Tom’s shoulder. “Listen son,” he said, his neck no longer able to support his head, “I’m sorry about before, showing yous up in front of them cunts.” He clumsily buttoned his fly. “They nae more respect me than they do yous, y’know. It’s no respect son, it’s fear. See if they didnae know I could do the lot of them, they’d treat me nae different.”

“Mick, ‘e don’t fucking respect you though, Frase.”

“No, son, but I ain’t about to mess wee that cunt. The man’s insane. Y’know what he tells me? He tells me he writes, ‘I Hate Pakis’ on fivers wee one of they ultraviolet pens. Then he pays for drinks at the George.”

“So?” Tom replied, the two men balanced against each other in a wobbly triangle.

“So? So some daft wee cunt pays wee a twenty and gets one ay Mick’s fivers wee he’s change.”

“Right.”

“Right, so he goes tay buy fags at the Paki shop and they’s one of they ultraviolet lights Pakis use to check you’s no slipping ‘em fakes.”

“Shit.” said Tom with a dawning realisation.

“Aye, Paki checks the guy’s money and it says, ‘I Hate Pakis’. At best he gets a mouthful ay abuse. At worst three ay they cunts work there kick shit out ay him. Happened to Wayne Archer last week.”

“Fuck.” said Tom, incredulously. “What did Mick say?”

“Nothing.” Frasier replied. “Says it’ll teach cunts no tae buy from nae Pakis.”

“Jesus man, cunt’s fucking tapped.”

“Hey, none of your blasphemy. And none ay your jive talk neither. Just ‘cause ya smoke that shit, there’s nae excuse for talking like nae nigger.”

“Sorry Frase.”

“Nae problem son. What I’m saying son, what I’m saying is it’s one thing beating up a Paki, but when it’s our own kind, that’s bang out ay order, ya get me? I disnae give a fuck who cunts is buying from, you don’t turn on your own. My old dad taught me that.

“Agree with you there Frase, bang out of order."

"Listen son, I’m sorry about showing yous up before.”

“Ya said Frase.” The Englishmen patted the Scot on the shoulder.

“Aye, right enough. You’re a good lad, Tom. Stick wee me and I’ll see ya go far.”

“Cheers, Frase.”

“Oh and Tom.”

“Yes Frase.”

“See if you tell anyone what’s been said here, I’ll cut ya fucking balls off.”

“Yes Frase.”

“No even me, ya here.”

“Yes Frase.”

Silence.

“Come on.” Tom said. “Let’s get fucking ‘ome.”

“Aye, right enough.” The men staggered on their way. A pair of eyes watched them from the darkness.



The door slammed louder than expected upon Tom’s return. A curse escaped from his lips, but no sound echoed from above. He slipped on the chain and crawled upstairs.

Tom crept into his room and switched on the bedside lamp. He kicked off his aging trainers and threw his Burberry cap on the floor. Then he removed the pint glass from his bedroom table and tiptoed across the landing. Here he rinsed it, filled it with water and drained it dry, before filling it again. It clinked heavily on return to its original place. His hand slipped under the mattress, removing the cigarette papers and brown material hidden there. He burned one edge of the eraser shaped lump and crumbled the pieces into the cigarette paper, adding tobacco to the mix. The lot was rolled into a tube and his tongue ran down the rim. He roached one end and twisted the other to a point. Then he drew the curtains, turned two handles at either end by ninety degrees and pushed the window open. Once his head was clear, he ignited the cigarette pursed between his lips.

“Allo” said a strange voice.

“Fuck me.” Tom jumped, the joint nearly falling from his fingers. “What the fuck are you doing there?” A face had appeared at next door’s window.

“Err, I am sorry, I am new ‘ere.” A slow, hesitant voice.

“Great, that’s all we fucking need.” Tom replied. “Fucking Poles moving into the area.”

“Pardon?”

Tom spoke loud and slowly, “Are… You…  From… Poland..?  Why…  Don’t…  You… Fuck… Off… ‘ome..?

“Err, no, I am Engleesh.”

“No offence mate, but you don’t sound very English to me.” Tom took a toke and blew smoke in the stranger’s direction.

“I am, how you say, born in this country, but my family move away when I am enfant, no.”

“Yeah? Funny, ‘cause I was born in London, but ma dad brought us back up ‘ere, where ‘e was born.” He sucked on the spliff once more “So 'ow come you come ‘ome?”

“Err, I do not like France so much, so I come ‘ere, to my ‘ome, no. The French, they are too arrogant, no.”

Tom laughed. “Ha ha, nice one. Nah, seriously mate, good on ya. We need more guys like you, coming ‘ome, ‘elping us to stand arm in arm, shoulder to shoulder against these black cunts swarming in.”

“Pardon?” said the man, furrowing his brow. “I do not understand what you say.”

“Pakis, blacks, coons, ya know. From Africa and Iraq and that.”

“Ah yes, I understand ‘ow you say, you do not like black people?”

“Nah, some of the coons are alright I suppose. Guy I get my stash from is half-caste. ‘e’s pretty sound. For a nigger. By the way, don’t tell anyone you seen me smoking this shit.”

“Smoking sheet?” The same baffled look.

“Yeah, weed, y’know.” Tom replied, taking another pull. “’Ere son, get on that.”

“Thank you.” the man replied, pinching it by the middle. “You are most kind.”

“Sorted. Keep it quiet though. Jeez, Mick would ‘ave my balls if ‘e caught me smoking weed. Nigger poison, ‘e calls it. ‘E’s one to talk. Cunt snorts so much coke, swear down ‘e’s the only one keeping them cunts going.”

“Ah, I see, this Mick, ‘e is your frère?”

What's that? My frère?”

“Oui, your frère, your, eh, ‘ow you say, brother.”

Tom laughed again. “Mick, my frère. Ha ha, nah, I ain’t related to that twat. ‘E’s just a guy I know. Nasty fucker, too. I mean, fair enough, I ‘ate Pakis, right, but that cunt ‘ates every fucker. Pakis, coons, Jews, cockneys, queers, the lot of ‘em.”

“Pardon, I still do not understand, what is, ‘ow you say, Paki?” The man handed back the spliff.

“Cheers. Pakis, from Pakistan, Muslims like. Y’know, there are streets in this town where whites like us get our ‘eads kicked in just walking down 'em. Not that you’d want to go down ‘em, smelly bastards. Cunts are too busy blowing themselves up to bother to wash. We go down for a rumble though. Bang a few Paki heads together like, teach cunts a lesson.”

“Ah, I see. So I ask, if you were in charge, no, ‘ow would you do them?”

"Sorry mate, I don't get ya."

"Err, if you were in charge, the, 'ow you say, ruler."

Ah, right, you mean what would I do with the Pakis?”

“Err, yes, these Paki.”

“I’d ship ‘em out, get rid of them.”

“Get reed of them?”

“Yeah.” He smiled at the thought. “If I ‘ad my way, Pakis wouldn’t exist.” There was a moment’s silence. “’Ere,” he said, passing the joint over, “finish that off will ya mate. I ‘ave to go to bed, my ‘ead’s gone all furry.” He giggled.

“Most kind.”

“See ya ‘round.”

“Ah yes, bonne nuit.” The window shut and the man was left alone. He took a single drag on the butt and flicked it out into early morning air. “Never existed.” he said, in perfect English. “Interesting, very interesting.”  An instant later, he was gone.