Showing posts with label Bob Dylan. Show all posts
Showing posts with label Bob Dylan. Show all posts

Sunday, 9 October 2016

Solutions


"He not busy being born is busy dying."
                                                Bob Dylan

It is the plaintive cry of the cynical mind, "So what's your solution then?" As all communication is an attempt at deception (at least according to Jeff Winger - see Community), it's often instructive to unpack the sense of what a person is really saying. "So what's your solution then?" roughly translates as, "Well, I haven't come up with any solutions, and as I can only filter the world through my own reality and belief structures [see Polyphemus and the Myths of Monomania], I cannot conceive of anyone else coming up with anything better than what we have now."

Yet there is very little that cannot be improved upon. In an age when the turnover of technology is ever increasing, it's odd that we still rely on systems that are centuries old. Tradition is a poor excuse. Tradition is another way of saying that no-one's had a better idea in a while. A friend of mine worked for a bank. When he threatened to report management to the Employment Tribunal Service for bullying behaviour, he was told, "That's the way we've always done things." Habitual poor behaviour leads to financial meltdown. Insanity, as Einstein reminds us, is doing the same thing over and over again and expecting different results.

Solutions are there to be had and more people should offer suggestions, even if they are terrible. A properly functioning society should work on the same principles as evolution. Myriad solutions are created for problems that might occur in the future. The ones that are beneficial to the changing environment thrive and go on to propagate. The ones that don't, die. I present three solutions. Whether they are good, bad, or indifferent worm food, only time will tell.

Taxation

Taxation, as I'm sure most people will agree, is a mess. It's meant to be that way. How else can companies like Amazon, Apple, and Google get away with paying so little? My old socialist definition of capitalism is the free-flow of wealth and resources from the most needy to the most greedy, but in fairness, that only deals with the form of capitalism that we have operated up to now. I often wonder how there can be poverty in a capitalist society. After all, capital is in the name. If there are people without capital in a capitalist society, hasn't capitalism failed in its one and only aim? Fundamentalists wish to convert everyone to their way of looking at the world, whether they be Marxist, Islamist, or Christian missionary. A true capitalist would want everyone else to be rich.

In a functioning capitalist society, taxation should be the simplest thing in the world. Capitalism is entirely based on financial transactions. Billions, if not trillions, take place every day. So that is what is we charge. For every financial transaction that takes place, a small levy is imposed by the government for the right to conduct that financial transaction within its borders. The rate of the levy is fixed, non-negotiable, and the penalty for defrauding the exchequer is severe. For the sake of consideration, let's set this rate at 5%, although in practice it would probably be even lower.

The advantage to a system of levies against financial transactions is that the larger an entity is, the more it pays as a result. An individual may have a job, rent a home, run a car, raise a family, and all of these circumstance require financial transactions to be made, which incur levies. You will be charged when you get paid, when you place your pay in the bank, and when you withdraw it once again. However, these charges will be still be nominal compared to Income Tax and National Insurance deductions as they are now.

A small business requires stock, which increases the number of financial transactions its owner has to make over an individual in order to operate. As a result, the small business owner pays more in the way of levies, which seems fair given that a business has a larger presence, and a larger impact on the community than a typical nuclear family. A larger company requires staff, which brings more revenue into the country's finances. A manufacturing company requires raw materials, which require transportation, placing increased strain upon infrastructure. However, this is offset by the additional contributions made to the economy by the manufacturing company. Companies like Google and Apple buy other companies. This can hardly be discouraged when it triggers such large windfalls for the public purse.

This is not an entirely new suggestion. However, the innovation is to make the levy dual-user. For every financial transaction, there is a seller and a buyer. Each participant in the transaction pays a separate levy, so that even in international sales each home nation receives payment for its end of the sale. More importantly, it is an effective way to track criminal activity by creating a kind of financial quantum entanglement. For instance, a person goes to a cash machine and withdraws £10. The customer is charged 50p for the privilege, and a system records the receipt of payment, that the levy was incurred for withdrawing £10 in the form of one £10 note, and the serial number of that note.

The individual is now free to spend the £10 note as they wish without any further charges being incurred. However this is a dual-user levy, and the transaction is not regarded as concluded until the note has been tracked to another location, where the other half of the levy is paid when a sales is made. In the case of card transactions, both seller and buyer pay their levy at the point of sale.

Crime hotspots, near a local drug dealer say, would show as areas where money was being removed from local cash machines and not reappearing anywhere else. At the very least it would require criminal organisations to launder their money through legitimate companies, which would be required to pay levies on everything being laundered. We may never be able to eradicate crime entirely, but we can at least ensure that it contributes to the upkeep of society the same as everyone else.

Levies work because they're fairer and they're paid at source, making them effectively invisible. We pay Value Added Tax (VAT) on most commercial products in Britain, meaning that we barely notice it (unless you smoke or drink spirits). Levies would be the same, except that they would be a quarter of what VAT is now, applied to everything, and mandatory. No more tax havens, or expense accounts that could win Oscar for Best Original Screenplay. What's more, it would be popular, because the world is made up of individuals and individuals pay the least under this scheme. Individuals also vote, unlike corporations.
It will require new technology to track all these transactions, but capitalism loves new markets in which to flog its latest flavour of magic bean. They rolled out chip and pin and contactless in no time, so it isn't beyond the realms of possibility to replace all taxation with dual-user levies.

Politics

“If there were a nation of Gods, it would govern itself democratically. A government so perfect is not suited to men.” So said Jean-Jacques Rousseau. All so-called democratic countries are in point of fact systems of elective representation. Again, this is a fine system in theory, but in practice it leaves corruption open to fester. Refer to the antics up on Capitol Hill to see what happens when the legislative branches of the greatest capitalist nation on Earth are left to collapse under the weight of personal gain and self-interest. The rise of Donald Trump gives rise to the very reasonable proposition that just because anyone can become President, it doesn't necessarily mean that anyone should be allowed to become President.

Two possibilities present themselves. One is to recognise that if we are to have elected representatives, then we should regard the role as we do any other position of responsibility in society. Not just anyone can become a teacher, or a doctor, so why should just anyone be allowed to be a politician? It should be a job that you have to study for, take a degree in politics, go on to a undergraduate thesis in some area of politics or public life, before serving in local government as a junior politician over a number of years. The role of Member of Parliament should be reserved for those that are the equivalent of a consultant in the medical profession, fellow of a Royal College of Politicians. Ministers for Education, Health, the Armed Forces etc. would have to have some form of specialty in those subjects.

Of course, the above course severely reduces the number of people that could conceivably become politicians, which in and of itself might not be a bad thing. You wouldn't let just anyone cut out your child's appendix, so why should just anyone decide how much is to be spent on your child's education over the course of their formative years? The other way is to do as the Greeks did and return to a system of government by lottery. It would work much the same as jury service, only for longer. People would be chosen to serve in government by ballot. They would serve their time for a certain number of years, after which they would be called before a committee and asked to justify their actions during office. Any criminal behaviour would be punished. Good service would be rewarded, with the chance to remain in a similar role for another term, or serve in a more senior role. Ex-politicians would receive a full salary for the equivalent time that they were in office and barred from doing any other paid work during this time. This would severely curtail the power of lobbyists.

Perhaps some happy medium would be more appropriate. In Britain, England needs to have its own parliament the same as the other home nations. Then England, Ireland, Scotland, and Wales would have their own elected representatives, and Westminster could become a true House of Commons by electing its members by popular ballot. The House of Lords would be abolished, and I suppose we could keep the Queen as a kind of appendix to the body politic, although I've yet to hear one good reason why a head of state is required at all, let alone who that head of state should be. The Greek's chose a different person every day (although their society was also based on slavery, I'm not saying their theories don't need some modification.). That said, the Queen's never really impacted my life directly, despite being Queen my entire life, so as far as unelected heads of state go, I suppose she's fairly benign. It those further down the political food chain that are the real problem.

Cyberspace

This one's more of a prediction, and relates to how we access the internet/world wide web. When there are so many ways to watch or access paid-for material for free these days, there's going to come a point where web access will be treated like any other utility and its unit price hiked. Most things beyond that point will be freely accessible, but the time that you spend on a particular site will be deducted from the one-off or monthly fee that you pay and given to the company or individual that runs the site. It means, for instance, that if you spent an hour and a half watching a film, ninety minutes worth of the fee you have been charged will be given to the company that made the film, to be distributed among the other interested parties.

This isn't necessarily a better system. Indeed, it is open to all kinds of abuses, but I can see it being the model that large corporations go for. If people are being charged a flat rate for access anyway, they are more likely to go to an approved site than a site hosting pirated material. Moreover, large corporations would have more legal power over pirates as the pirates would be receiving direct payment for hosting visitors to their site. It would also allow artists and entertainers to actually get paid directly for people viewing their work, irrespective of whether or not the visitor liked the site they were visiting.

There is great talk of the coming 'internet of things', but I can see a greater expansion of the internet, where literally every TV show, film, and video clip has its own webpage. You won't tune in to BBC2 at 9pm to watch Top Gear anymore (if you even still do), you'll go to the Top Gear page on your TV and at a certain time on a certain day a new link for a new episode will appear. This already happens via the BBC iPlayer, but in the 'internet of all' that link will remain up forever. YouTube and Vimeo may still have some currency, but they will be hosts to links to unique pages on the web. Everything that isn't needed for actual sustenance or human interaction will be freely available on the ubernet, even physical items as 3d printing tech gets better and cheaper.

And you know what? It might just work. However, in order to make it profitable, it will require a large increase in the cost of what we pay for web access at present. Most forms of entertainment will be free from that point on, as your subscription will be divided between those who provide your entertainment, or other professional assistance. Multiple devices will trigger multiple charges, the same as separate electrical sockets. It would also mean that musicians would get paid every time that you listened to their music, rather than just when it is downloaded to a music player.

The other advantage with people actually getting paid for what they provide is that they will need to be less and less reliant on advertising. Less advertising is always a good thing (zero would be ideal), but we have reached a point where some web pages are impossible to scroll through on a hand held device, thanks to the page hanging every two seconds from embedded advertising. The idea that anyone should have to prostitute their creativity, or lend credibility to soulless, non-essential items presented as portals to eternal happiness, is always a depressing thought. Paying content providers direct would decimate online advertising at a stroke.

So there you go. There's some suggestions. You be the judge of their validity. One of the reasons that we are in the mess that we are in is that too often we are told, we have to do it this way because it is the only way to get back on track, but few people go, hang on, that can't be right. How about doing this way instead? Or this way? Or this? There are literally dozens of ways of approaching this or any problem, and we should give serious consideration to all options, even the bad ones, so that we can get a sense of what might be the right direction. Everyone seems to have an opinion on Kim Kardashian and Wayne Rooney. Politics should be no different. It's no less important and no more presumptuous on which to offer an opinion. It's just life.

Monday, 24 March 2014

Cultural Fascism


This...

Cultural Fascism

The advent of the MP3 player, Spotify and the like means that many kids growing up in the 21st century will never know the joy of listening to an album from start to finish. It’s not just kids either. My mother works from home and listens to her iPod on shuffle the way that many people do. It’s part of the growing trend of slowly wearing away attention spans. Society is bound to collapse not out of any ecological or natural disaster but by no one being able to pay attention to anything long enough to learn anything, an idea which I believe was explored in the first season of Star Trek: The Next Generation (When the Bough Breaks).

Maybe it’s because I’m a reader, but I still think there’s something intrinsically beautiful about the internal narrative of a well-crafted album. I do use an MP3 player to listen to music these days, which makes life a lot easier. The first time I went backing around Europe, I had to have a separate backpack just to carry all my tapes for a three month trip. These days I can carry enough music and audio plays to last a year on my phone. However, I miss the days of vinyl. I miss the way that an album not only had an internal narrative, but were structured in acts over two, four or more sides. I miss stacking albums and singles on to the central spindle and watching each disc slide down on to the turntable like a stripper sliding down a pole. That was as near to shuffle as we got in those days. Listening to one half of half a dozen albums, then flipping the lot over. These days vinyl seems almost steampunk. Yet there was something undoubtedly romantic it about it. You never hear anyone speak with the same sense of quixotic nostalgia about compact discs.
 

I don’t use Spotify and I don’t listen to music on shuffle, ever. If I listen to music then I’m in for the long haul, the whole album, start to finish. Especially if I’m reading then I like a consistent soundtrack. On more than one occasion I have listened to the entire five odd hours of Bitches Brew in a single mammoth reading session. Or twelve Dylan albums or the complete Clash or Radiohead discography in a row while writing. Perhaps it also has to do with my continually shifting mood. Music soothes the savage beast, but it also preserves him in a state of suspended animation when he’s in a productive mood.

Then again, I am a cultural fascist and so I also think that what separates me from the Spotify generation is that I listen to good music. If you’re listening to Justin Bieber or Lady Gaga then I can understand why you wouldn’t be able to stomach a whole album’s worth. It’s like eating a large bag of Haribo. Full of sugar and of no nutritional value.

The strength of western society has always been predicated on population control and whereas technology should be enhancing our lives, it is instead being used as a weapon to keep people fractured by decimating their attention spans, much in the same way that incessant, structured ad breaks have been used in the USA for years. TV in the US seems to be less a form of entertainment and more a device for psychological conditioning. Online subscription services are slowly eroding the advertising industry’s half century strangle hold on TV, but who knows how long that will last. One would imagine that as the balance shifts from broadcast to internet media the advertisers will arrive like Killer Whales beaching on the shore.

And now a word from our sponsors: Download ad blocking software to your internet browser of choice today.

Under these circumstances, one would hope that the ones who mentally fight these assaults upon the senses will have a distinct advantage over the rest. There is no doubt that people are getting more stupid, spend five minutes on an any comments section if you don’t believe me. I’m not someone who watches shit films for the sake of it or sits on Twitter complaining about The Apprentice or Question Time or whatever. Not only are we becoming more stupid, but we are forgoing intellectual advancement and artistic creation in favour of pissing over anything anyone one else creates.

You will rarely read here any article in which I slag off or pick on an artist, musician or film. There is plenty that I don’t like, but I tend to try and just ignore it. There are seven billion people on the world, you, me, everyone is bound to be unattracted to most of what goes on in the world. Yet the need for instant gratification and the celebrity culture that has infected society like a disease that causes severe brain damage means that it’s easier to attack the efforts of others. Instead of commenting on the latest bunch of unpleasant wankers on The Apprentice, you could be learning a new language or going to art classes. Instead of arguing on Twitter about Toby Young’s thoughts on the NHS on Question Time, you could be out helping your community or joining a local Amnesty International group. And here’s a question for you: Why do supposedly intelligent people watch Question Time? A program featuring a panel of politicians. It’s like you want to lied to.

I have all but stopped watching television. I don’t have a TV of my own and what little I watch is usually a BBC Four program of iPlayer or something created by Dan Harmon watched using a proxy server to make the internet think I’m in the US. And even then I have my ad blocker enabled to skip through the commercials. That’s anarchy in my book (humour).

Aside from that, I read, I listen to albums, I struggle to learn new languages, I memorise the Shipping Forecast areas and Rimbaud poems in the original French in order to keep my memory keen. I listen to what I want, watch what I want, read what I want and if there is no prospect of me enjoying something then I don’t do it. Everyone should be so lucky.

Get it done.



Friday, 21 March 2014

The Concept of Albums


Today we hone in on the concept of a concept album. Now pay attention...

The Concept of Albums

I was listening to Queensryche’s Operation: Mindcrime today, wondering what makes a great concept album.

Apparently many people don’t know what a concept album is, judging from Wikipedia’s list of purported concept albums. I’m unfamiliar with many of the names, but a random sampling include Metallica’s ...And Justice For All and Load (wrong on both counts and if Load, why not Reload?), the first four Blur albums (I mean honestly) and Herbie Hancock’s Maiden Voyage (this one I find the most baffling of all).

What’s just as surprising here is what’s missing, given these albums represent the criteria on which we are supposed to judge what makes a concept album. Metallica but no Megadeth, several of who’s album get nearer to approaching a unifying concept or theme. I’m not sure that a jazz album can be a concept album, but if Maiden Voyage is a concept album then I can think of several that have a better claim, including Hancock’s own 1973 album, Head Hunters and certainly Miles Davis’s Sketches of Spain. As for Blur, well to paraphrase a line from something the source of which escapes me for the moment, stop it, now you’re just naming albums.

Most egregious in the Wikipedia list is the inclusion of The Beatles Sgt. Pepper’s Lonely Hearts Club Band, the most famous concept album that isn’t a concept album, the clue being in the fact that The Beatles themselves said it isn’t a concept album. Abbey Road might have a better claim, or at least the second side of Abbey Road, which is broadly conceptual, like the second half of Queen II, an album which also appears in the Wikipedia list.

For me, an album must have something of the musical about it to be considered conceptual. It must be almost operatic. Which is odd, given that I can’t stand musicals and I can only listen to opera. Watching opera is like having teeth pulled. I do enjoy a good concept album. However, a group or musician attempting a concept album is like a footballer attempting a bicycle kick. Get it right and it’s spectacular. Get it wrong and you look like an absolute dick.

Operation: Mindcrime is a fine example of getting the concept album right. It contains all of the elements for a good concept album. It has the structure of an hour long musical, including talky acting bits in between songs. There are leitmotifs borrowed from Wagnerian opera, which return to haunt the album at various points. It also has a clear plot of revolutionaries, terrorism, murder and corrupt priests, which is quite easy to follow. The narrative is circular, ending at the same point at which it begins. 


Operation: Mindcrime also contains echoes of maybe the most famous actual concept album yet recorded, Pink Floyd’s The Wall. Especially near the end of Mindcrime will you hear very deliberate musical strains referencing The Wall. It’s a nice touch. You hear the same thing in Mastodon’s Leviathan, a concept album built around Moby Dick, which tips its hat to Iron Maiden’s 1988 concept album, Seventh Son of the Seventh Son, which is about... well, guess.

It’s perhaps a little kitsch to admit this, but I love The Wall. A friend of mine used to say that rather than watching horror films, he preferred sitting down to listen to a Slayer album with the lyrics sheet in front of him. I used to do almost the same with Pink Floyd. I would have a smoke or four, get into bed with all but my face wrapped in sheets and listen to the whole of The Wall in the dark through a pair of headphones. It beats the hell out of a emersion tank. The Wall’s musical narrative tell the story of the rock star, Pink, and his slow decent into madness. I love The Wall because it’s an album of eighty minutes of unrelenting bleakness, punctuated by two minutes of light at the end of the tunnel. I also love it because by accident or by design songs like The Trial contain many of the same tropes as Ulysses and Finnegans Wake.

The Wall and Operation: Mindcrime can perhaps be better described as rock operas than concept albums, the same as The Who’s Tommy or The Kink’s Arthur. Yet this, in one sense, is exactly what makes a concept album. There are many that describe Floyd’s previous three albums, Dark Side of the Moon, Wish You Were Here and Animals as also being conceptual. I would submit only the last album of the three for consideration. A concept album isn’t just one in which similar themes are explored, there has to be an overarching, unifying theme, if not an actual fictional narrative. If Dark Side of the Moon was a concept album, then so would most other albums ever recorded. I’m sure every One Direction and Justin Bieber album could be considered conceptual using this standard. Is that what you want? Is it?

  
Sloppy categorising is exactly the same thing that allows ...And Justice for All and Maiden Voyage to be accepted into what should be a highly exclusive club. For instance, what about the Alice in Chain album, Dirt? Is this a concept album? All but one of its tracks can be argued to be about heroin addiction. I would say that no, it isn’t, for exactly the reason that one track (Rooster) is about the experiences of guitarist Jerry Cantrell’s father’s experiences in Vietnam. Yet Dirt probably has a better claim than half of the albums in Wikipedia’s list.

As egregious as Sgt. Pepper’s inclusion in this list is the exclusion of PJ Harvey’s Mercury Music Prize winning album, Let England Shake, an album that is as conceptual as you can get without actually crossing over into rock opera. I honestly don’t think that a better album has been produced this side of the millennium, a record all about Britain and its involvement in wars now and centuries past. I have waxed lyrical about Let England Shake at length in my essay, The Sombrer Opacities of the Gloom.

Curiously, you also won’t find any Bob Dylan albums in the Wikipedia list. A convincing case can certainly be made for John Wesley Harding, given that it was recorded when The Beatles were recording Sgt. Pepper and The Rolling Stones were copying them with Their Satanic Majesties. Dylan meanwhile recorded an album that is about as far from psychedelia as it’s possible to go. An collection of songs that don’t contain any choruses is certainly a concept. A argument could also be made for Blood on the Tracks and Time Out of Mind, great divorce porn albums them both. Yet like Alice in Chains Dirt, the concept doesn’t  entirely track across either album. A better case can be made for Jack White’s Blunderbuss, which is both divorce porn and consistently conceptual.

Tom Waits has recorded a handful of concept albums, but many of these were recorded for actual plays (The Black Rider, Alice and Blood Money). Nighthawks at the Diner from 1975 though is that rarest of breeds, a concept album recorded live, in which Wait’s channels the spirit of Jack Kerouac’s beat poet performances. There is also the curious case of the Easy Star All-Stars. The Easy Star All-Stars rerecord classic albums, Dark Side of the Moon, Ok Computer, Sgt. Pepper, Thriller, etc. in reggae and dub styles. That’s conceptual art for you. Meta Conceptual even. Easy Star All-Stars’s version of Pink Floyd’s The Great Gig in the Sky is one of my favourite things ever.

 
Perhaps the most exciting artist to be producing conceptual albums in recent years is Janelle Monae. Her debut EP, Metropolis, and two albums, The ArchAndroid and The Electric Lady continue the same narrative, where Monae’s alter-ego, the android Cindi Mayweather, falls in love with a human being in the future and travels back in time to the present day to escape arrest. It’s high concept indeed, heavily influenced by Fritz Lang’s science fiction silent film, Metropolis, as well as the robotic stories of Isaac Asimov.

I’m not exactly a fan of modern R&B, but genius comes in many forms and Monae is there or thereabouts, taking her influence from artists as diverse as Michael Jackson and Prince, Outcast, the B52s, David Bowie, Scissor Sisters, Rachmaninoff and George Gershwin. Like Dylan, she had the foresight to write a polemic entitled Mr. President, without mentioning the incumbent at the time (Dubya). My one criticism is that she should spend more time singing the song during Obama’s administration and less time hanging out at the White House. After all, Dylan continues to perform It’s Alright Ma (I’m Only Bleeding) whether the President who ‘must sometime have to stand naked’ be Johnson, Nixon or one either of the Bushes.

So there you go. I hope we have managed to establish the concept of a concept album. Or at least tightened our definition. OK Computer, yes (just), Kid A and Amnesiac, no. The Kinks Are the Village Green Preservation Society, yes, The Kink’s Muswell Hillbillies, no. Any Frank Zappa album, yes, any Captain Beefheart album, no. Got it? Good, ‘cause I don’t want have to run through this shit again (*winks*).

Get it done.




Friday, 7 March 2014

Get It



Silly, cocky, arrogant. In other words, me.

Get It

Don’t sweat it if you don’t get it,
All you got to do is move on to something new.
No one requires you to understand it,
We’d go extinct if you were all like me, I was all like you.

But don’t call me a cunt ‘cause you’re all of a confusion.
Or wish me dead ‘cause you failed attention in school.
Trying to mainline the mathematics of Joyce and Dylan and Da Vinci here man.
I’ll be swimming in starlight by the time you’re still a fool.

So go on and dance, dance, dance for me little jester.
Gately538, the latest Gately from a long line of clones.
Go on, quick, nearly finished my brief break from being brilliant.
And high time you to rejoined the other production line drones.

This bit doesn’t really have a regular rhythm does it?
Then, why waste iambic pentameter of a low brow like you?
But, hey, don’t sweat it if you don’t get it,
All you got to do is move on to something new.

Get it done.